Small Faces' Decca Singles 1965-1967: A Journey Through Their Early Years
The Small Faces, a legendary British band, have left an indelible mark on the music industry, and their early singles on Decca Records offer a captivating glimpse into their formative years. This article delves into the band's rise to fame, their creative struggles, and the impact of their manager, Don Arden, on their musical journey.
The Cover Photo: A Symbolic Image
The iconic cover photo, a 1966 black-and-white shot of the band on Westmore Terrace, encapsulates the band's energy and ambition. Dressed to impress, the band members exude unbridled enthusiasm, despite Arden's attempt to shield them from the rough East End. This image symbolizes the band's determination to forge their own path and assert their artistic control.
Battling for Control: The Decca Singles
The Decca Singles collection showcases some of the Small Faces' greatest songs, including the R&B mod classic 'Whatcha Gonna Do About It' and the chart-topping 'All Or Nothing.' However, these songs were not without controversy. The band's manager, Arden, had a significant influence on their musical choices, often dictating their releases. This led to a power struggle, with the band members vying for creative autonomy.
Creative Triumphs and Setbacks
'I Got Mine' failed to chart, prompting Arden to release the commercial 'Sha-La-La-La Lee.' The band's desire for recognition led to the first song crediting writers Steve Marriott and Ronnie Lane. 'My Mind's Eye' made the top five, but it also sparked fury due to Arden's unauthorized release of a demo. This incident ultimately led to the band's decision to break free from Arden and Decca, marking a pivotal moment in their career.
The Final Singles: A Messy Departure
The last two singles in the collection, 'I Can't Make' and 'Patterns,' were released without the band's consent. 'I Can't Make,' a soulful R&B ballad, was refused promotion by the band. 'Patterns,' featuring Ronnie Lane on lead vocals, boasted an eccentric B-side, 'E Too D,' adding to the chaos. This messy departure from Decca further underscores the band's struggle for control and artistic freedom.
Legacy and Impact
Kenney Jones, the last remaining member of the original Small Faces, has been instrumental in preserving the band's legacy. His Nice label released a limited edition of the Decca Singles, pressed on vinyl from master tapes. The collection includes rare Dutch sleeves and additional archive materials, providing fans with a comprehensive glimpse into the band's early years. Sylvie Simmons, a renowned music journalist, praises the release, highlighting its historical significance.
In conclusion, the Decca Singles 1965-1967 box set offers a captivating journey through the Small Faces' early years, revealing their creative struggles, triumphs, and the enduring impact of their music. It serves as a testament to their talent and the power of artistic expression, even in the face of managerial challenges.
